Richard Taylor in Two Person Show at the Villa Terrace Decorative Arts Museum

Strata & Cipher: Barbara Manger and Richard Taylor brings together two artists who work closely with color and layering, and have developed a process-oriented studio practice that transforms surprising source materials into metaphors for their experiences. Manger uses monoprinting techniques to create richly composed images that reference the textures of moving waterways, and Taylor collects found materials to inform his use of shape, color, and surface, creating sculptures reminiscent of weathered urban artifacts.

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Claire Stigliani MMOCA Exhibition Review from the Milwaukee Journal Sentinel

Doomed love and fractured fairy tales dominate Claire Stigliani's vision. Her artwork is an imaginative reflection on longing and transgression.

Stigliani sees herself as an artist doomed to indirectly reflect her world, too, and her visions are mediated through layers of objects and mediums in the show. The exhibit features five distinct cycles, or series, each presented through a group of drawings, paintings, video and three-dimensional puppet sets.

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Claire Stigliani Exhibition, Dream Within A Dream, Featured in Shepherd Express

When I finish a work, I have to distance myself from it. I never want to be the center of attention, and though I hope my work sells (running a gallery is expensive!), it’s because I want to do right by the people I’m working with. But my commitment is to my work, to the next painting I’m making, to this imaginary space that I have created for myself. So maybe it is a kind of sleeping that I’m after…a looking inward rather than outward at the world.

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Winnowers Artist Alex Orellana's Photographs Reviewed in the Shepherd Express

“For transgender people, there is a prevailing narrative that success entails trading one binary identity for another to pass as the opposite sex,” says Alex Orellana, third-year MFA student in the UW-Madison Art Department. “Despite not wanting to transition, I have my own health reasons to take hormones, and the effects of that process led me to create this body of work. The medicine makes me increasingly androgynous, and I want to share the experience of how that affects my social interactions.”

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T.L. Solien Exhibition The Foreseeable Past Reviewed in the Shepherd Express

“The Foreseeable Past,” a solo exhibition by T. L Solien at Tory Folliard Gallery, is full of paintings with overtones of tradition, but intriguingly strange despite their friendly, vivid hues. They bring together collage and flat colors with subtle notes of disconcerting places. A companion exhibition by Swedish artist Erika Nordqvist follows suit, but with distinct variation.

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Laurie Hogin's “Implacable Demons and Better Angels” reviewed in Art Ltd. Magazine

Laurie Hogin: “Implacable Demons and Better Angels” at Tory Folliard Gallery

Laurie Hogin’s mutated menageries are simultaneously extremely beautiful and intensely horrific. A bit more the former than the latter, though; this is all as if you took Edward Hicks’ The Peaceable Kingdom (1826) and added to it about 100 years of pesticides, radiation, inbreeding and ecosystem destruction—Hell never looked so gorgeous.

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