Laurie Hogin’s ‘Implacable Demons and Better Angels’ featured in Wisconsin Gazette

Aesop’s Fables are filled with stories of animals that take on human emotions and face human dilemmas. Foibles like vanity and greed, as well as examples of compassion, are played out.

In these small dramas, we can see ourselves.

Artist Laurie Hogin doesn’t illustrate the stories of Aesop, but in the exhibition Implacable Demons and Better Angels she demonstrates a predilection for portraying animal characters reacting to their world — and they do so in a way that is utterly relatable to us as humans.

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Michael Noland: A Map of the World at Ohio State University

New work by Illinois artist, Michael Noland, will be on view at the Farmer Family Gallery in Reed Hall at The Ohio State University January 19 - March 10, 2017.  The opening reception will be Thursday, January 19 from 4:30 to 6:30 pm. The reception is free and open to the public.

For more information on available work in the exhibition, please contact the Tory Folliard Gallery at info@toryfolliard.com or 414-273-7311.

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Charles Munch's Exhibition Featured in the Milwaukee Journal

Sarah Hauer , Milwaukee Journal Sentinel November 18, 2016

As he canoes, bikes and hikes through Wisconsin, Charles Munch appreciates how sunlight hits the scenery.

"The air can be crystalline in the light and the air is much cooler," he said.

Munch, who calls himself sensitive to color, paints nature scenes of the Midwest that vibrate with the tints and shades he mixes with extreme precision.

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"‘John Wilde: The Early Works' Examines a Wisconsin Great" article in the Shepherd Express

‘John Wilde: The Early Works' Examines a Wisconsin Great

Tory Folliard presents unseen work by major Wisconsin artist

by: Tyler Friedman Nov. 15, 2016

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John Wilde (1919-2006; pronounced “WILL-dee”) is regarded as one of the major figures of Wisconsin art. Wilde’s works are found in prestigious institutions across the nation and his surreal influence lives on in the work of contemporary heavies such as Fred Stonehouse.

“John Wilde: The Early Works,” Nov. 19 through Dec. 31 at the Tory Folliard Gallery, presents a cache of recently discovered works from the 1940s and 1950s. The artist’s niece discovered the paintings and drawings after the death of Wilde’s widow in 2015. The exhibition reunites preparatory drawings with the hitherto unseen finished canvasses. While the fumbling fingers of adolescence often lead artists to commit their juvenilia to the flames, Wilde’s early efforts reveal an artist assured in style and technique from a young age. “This wasn’t just talent and training,” recalled artist Sylvia Fein, who met Wilde when both were undergraduates at UW-Madison, “There was a supernatural happening…constantly generating and cranking out [work] with no apparent struggle or missteps.”