Laurie Hogin: “Implacable Demons and Better Angels” at Tory Folliard Gallery
Laurie Hogin’s mutated menageries are simultaneously extremely beautiful and intensely horrific. A bit more the former than the latter, though; this is all as if you took Edward Hicks’ The Peaceable Kingdom (1826) and added to it about 100 years of pesticides, radiation, inbreeding and ecosystem destruction—Hell never looked so gorgeous.
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In his novel Barnaby Rudge, Charles Dickens wrote, “It is curious to imagine these people of the world, busy in thought, turning their eyes towards the countless spheres that shine above us, and making them reflect the only images their minds contain…So do the shadows of our own desires stand between us and our better angels, and thus their brightness is eclipsed.”
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Currently you can watch artist Leo Sewell as he collects materials and constructs his works of art - from his point of view. The Swedish interactive website TELE2 works with artists from all over the world to give their audience a truly unique experience. On their website they state "You can even step inside the mind of another person and experience their life from the inside. See what they see, hear what they hear, feel what they feel."
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For "Hair Club," on view at the Tory Folliard Gallery, Fred Stonehouse and Raeleen Kao have concocted a mad-libbed series of collaborative drawings that transform their idiosyncratic, artistic quirks into whimsical, poignant golems.
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Aesop’s Fables are filled with stories of animals that take on human emotions and face human dilemmas. Foibles like vanity and greed, as well as examples of compassion, are played out.
In these small dramas, we can see ourselves.
Artist Laurie Hogin doesn’t illustrate the stories of Aesop, but in the exhibition Implacable Demons and Better Angels she demonstrates a predilection for portraying animal characters reacting to their world — and they do so in a way that is utterly relatable to us as humans.
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Art Reveal Magazine has featured sculptor Susan Stamm Evans in their 20th issue, pages 46 - 51. In the interview the artist discusses how hes got started as an artist, what has changed along the way, and her thoughts about art in contemporary culture.
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New work by Illinois artist, Michael Noland, will be on view at the Farmer Family Gallery in Reed Hall at The Ohio State University January 19 - March 10, 2017. The opening reception will be Thursday, January 19 from 4:30 to 6:30 pm. The reception is free and open to the public.
For more information on available work in the exhibition, please contact the Tory Folliard Gallery at info@toryfolliard.com or 414-273-7311.
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Several newly found works by John Wilde, one of the signature Wisconsin artists of the last half-century, are on display at the Tory Folliard Gallery in Milwaukee's Third Ward.
This summer as a grandchild prepared to move into Wilde's former home in Cooksville, she found paintings in a corner.
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Fiber artist Mary Bero is participating in a traveling museum exhibition and book called The Box Project: Uncommon Threads. Read more about it in the article from Fiber Art Now Magazine.
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Artist Spotlight features Wisconsin native, Doug Hatch, best known for his realistic paintings of urban scenes. A full-time artist working from photographs in his studio, Hatch employs traditional methods of photo realism using strong diagonals, reflected surfaces, and transparent components to depict vibrant street scenes. In addition to these urban scenes, Hatch paints plein air landscapes of rural Wisconsin with deep vistas and spatial infinities.
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