Sculpture
Through February 14, 2026
Richard Taylor
Richard Taylor unites painting and sculpture using three-dimensional metal forms as canvases for his painted finishes. Taylor’s use architectural elements, geometric shapes, and vibrant colors bring his sculptures to life.
CITY LIGHTS 6
Aluminum, Wood, Acrylic Paint
24 x 18 x 2”
CITY LIGHTS 2
Aluminum, Wood, Acrylic Paint
24 x 18 x 2”
Color is Intuitive. I pick a starting point with any piece and the palette grows from there one color at a time
-Richard Taylor
WINDOW 6
Aluminum, Wood, Acrylic Paint,
35 x 54 x 3 1/2”
I find myself enamored with windows, because they allow us to both see out of a structure and into a structure, become a kind of magic.
-Richard Taylor
To see all of Richard Taylor’s available work, please click HERE
Stephanie Trenchard
Stephanie Trenchard's sculptures reveal historical and fictional narratives, often involving women, in painterly, luminous glass. These stories are drawn from memories or impressions, sometimes her own, and other times, other artists' biographical information. For Trenchard, creating glass sculpture requires the spirit of collaboration with others and a dialog with the material itself, which, by its fluid nature, can become a catalyst for expression.
DOOR COUNTY WILDFLOWERS
Sand Cast Glass with Hand Sculpted Inclusions
14 1/4”h x 13”w x 3”d
I do a lot of layering and glass is all of chemistry, and some colors don’t like each other. I’m always dealing with the emotional component of the actual colors themselves
-Stephanie Trenchard
APPLE TREE
Sand Cast Glass with Hand Sculpted Inclusions
10 x 6 x 3”
APPLE
Sand Cast Glass with Hand Sculpted Inclusions
4 1/4 x 5 1/2 x 3”
To see all of Stephanie Trenchard’s available work, please click HERE
Jessica Calderwood
An accomplished painter and metalsmith, Jessica Calderwood is a renowned sculptor who combines industrial processes to make timely statements about contemporary life. Calderwood uses traditional craft media -- enameling on metal, porcelain, and beads -- for their creative properties and historical references. These materials are important to her work for their visual sensuality and allusion to the labor involved in craft.
MACRO STUDY II
Porcelain, Aluminum, Copper, Felted Wool, Powder Coating, Brass, Steel
24 x 24 x 5”
PINSTRIPES
Glass Seed Beads, Enamel, Copper, Brass
6 x 6 x 1”
CROSS WEAVE
Glass Seed Beads, Enamel, Copper, Brass
6 x 6 x 1”
“The pieces are intentionally small in scale. I have found that working in miniatures can allow the viewer to access the work with intimacy and empathy.”
-Jessica Calderwood
TWEED
Glass Seed Beads, Enamel, Copper, Brass
6 x 6 x 1”
To see all of Jessica Calderwood’s available work, please click HERE
Jeremy Popelka
PHOTON
Blown Glass Murrini Technique
19”h x 8 3/4”w x 3 3/4”d
One of the allures that made me dedicate a career as an artist to using glass was the mystery and the magic that is embodied in the enigmatic medium. Outside of the obvious, its luxurious transparencies, interplay with light, and brilliant saturated color, the material has been used historically to create objects that defy logic.
- Jeremy Popelka
RUBEN
Blown Glass Murrini Technique
10”h x 9”w x 3”d
THEIA
Blown Glass Murrini Technique
8”h x 7”w x 5”d
To see all of Jeremy Popelka’s available work, please click HERE