Laurie Hogin Interview From UK Publication Bizarre

Many times in the artistic world we come across extraordinary things, strange things, shocking or simply that they leave you to the void without knowing what emotional path to choose. The first time we saw the works of Laurie Hogin we definitely felt trapped by a mixture of adoration and many questions. A world so colorful and so full of life, but we do not talk about life in its perfectionist image, we talk about real life, the one that catches you, the one that has its good and evil and the one that grabs you, squeezes, the one that you love and hate at the same time and most importantly ... you can not stop living it, because the connection you have is so strong that what happens happens, you keep holding her hand. And if we have to describe what we feel at the moment of seeing the works of Laurie Hogin, perhaps it would be just the moment to squeeze this hand and realize that it is not something else, but life itself.

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Laurie Hogin's “Implacable Demons and Better Angels” reviewed in Art Ltd. Magazine

Laurie Hogin: “Implacable Demons and Better Angels” at Tory Folliard Gallery

Laurie Hogin’s mutated menageries are simultaneously extremely beautiful and intensely horrific. A bit more the former than the latter, though; this is all as if you took Edward Hicks’ The Peaceable Kingdom (1826) and added to it about 100 years of pesticides, radiation, inbreeding and ecosystem destruction—Hell never looked so gorgeous.

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Laurie Hogin’s ‘Implacable Demons and Better Angels’ featured in Wisconsin Gazette

Aesop’s Fables are filled with stories of animals that take on human emotions and face human dilemmas. Foibles like vanity and greed, as well as examples of compassion, are played out.

In these small dramas, we can see ourselves.

Artist Laurie Hogin doesn’t illustrate the stories of Aesop, but in the exhibition Implacable Demons and Better Angels she demonstrates a predilection for portraying animal characters reacting to their world — and they do so in a way that is utterly relatable to us as humans.

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