When I finish a work, I have to distance myself from it. I never want to be the center of attention, and though I hope my work sells (running a gallery is expensive!), it’s because I want to do right by the people I’m working with. But my commitment is to my work, to the next painting I’m making, to this imaginary space that I have created for myself. So maybe it is a kind of sleeping that I’m after…a looking inward rather than outward at the world.
Read MoreWinnowers Artist Alex Orellana's Photographs Reviewed in the Shepherd Express
“For transgender people, there is a prevailing narrative that success entails trading one binary identity for another to pass as the opposite sex,” says Alex Orellana, third-year MFA student in the UW-Madison Art Department. “Despite not wanting to transition, I have my own health reasons to take hormones, and the effects of that process led me to create this body of work. The medicine makes me increasingly androgynous, and I want to share the experience of how that affects my social interactions.”
Read MoreT.L. Solien Exhibition The Foreseeable Past Reviewed in the Shepherd Express
“The Foreseeable Past,” a solo exhibition by T. L Solien at Tory Folliard Gallery, is full of paintings with overtones of tradition, but intriguingly strange despite their friendly, vivid hues. They bring together collage and flat colors with subtle notes of disconcerting places. A companion exhibition by Swedish artist Erika Nordqvist follows suit, but with distinct variation.
Read MoreT.L. Solien and Erika Nordqvist exhibitions reviewed in the Milwaukee Journal Sentinel
The ruins of time and domesticated dreams currently greet visitors to the Tory Folliard Gallery. T.L. Solien and Erika Nordqvist straddle autobiographical narrative and novelistic fantasy in their concurrent solo exhibits.
Read MoreDerrick Buisch | Artist Spotlight
Brilliant color combinations provide jolts of positive energy in works by Derrick Buisch. Vibrating lines morph into playful monsters and pop culture symbols in his abstract visual vocabulary. Buisch's paintings are meant to be visually engaging and potentially unnerving as he combines evocative imagery with moments of uneasy hilarity.
Read MoreLaurie Hogin's “Implacable Demons and Better Angels” reviewed in Art Ltd. Magazine
Laurie Hogin: “Implacable Demons and Better Angels” at Tory Folliard Gallery
Laurie Hogin’s mutated menageries are simultaneously extremely beautiful and intensely horrific. A bit more the former than the latter, though; this is all as if you took Edward Hicks’ The Peaceable Kingdom (1826) and added to it about 100 years of pesticides, radiation, inbreeding and ecosystem destruction—Hell never looked so gorgeous.
Read MoreLaurie Hogin featured in American Art Collector February 2017
In his novel Barnaby Rudge, Charles Dickens wrote, “It is curious to imagine these people of the world, busy in thought, turning their eyes towards the countless spheres that shine above us, and making them reflect the only images their minds contain…So do the shadows of our own desires stand between us and our better angels, and thus their brightness is eclipsed.”
Read MoreWatch Leo Sewell Find and Create Art on Swedish Website TELE2
Currently you can watch artist Leo Sewell as he collects materials and constructs his works of art - from his point of view. The Swedish interactive website TELE2 works with artists from all over the world to give their audience a truly unique experience. On their website they state "You can even step inside the mind of another person and experience their life from the inside. See what they see, hear what they hear, feel what they feel."
Read MoreStonehouse and Kao Review - Milwaukee Journal Sentinel 2017
For "Hair Club," on view at the Tory Folliard Gallery, Fred Stonehouse and Raeleen Kao have concocted a mad-libbed series of collaborative drawings that transform their idiosyncratic, artistic quirks into whimsical, poignant golems.
Read MoreLaurie Hogin’s ‘Implacable Demons and Better Angels’ featured in Wisconsin Gazette
Aesop’s Fables are filled with stories of animals that take on human emotions and face human dilemmas. Foibles like vanity and greed, as well as examples of compassion, are played out.
In these small dramas, we can see ourselves.
Artist Laurie Hogin doesn’t illustrate the stories of Aesop, but in the exhibition Implacable Demons and Better Angels she demonstrates a predilection for portraying animal characters reacting to their world — and they do so in a way that is utterly relatable to us as humans.
Read More