Leopard spots — thousands of them, in a multitude of colors and sizes — cover just about every nook and cranny of one of the 219 guest rooms in Milwaukee’s new Saint Kate hotel, opening Tuesday.
“You have to sign a waiver that if you stay in this room and nine months later you have a child covered in leopard spots, we’re not responsible,” joked Lon Michels, the Wisconsin artist behind the room’s unorthodox, Instagram-darling design.
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How much of our true selves do we show to the world? When we look at others, do we see who they really are? Can we ever know what lies beneath the surface?
In her enameled paintings and jewelry, Jessica Calderwood captures imaginary characters in private moments and intimate places, with unguarded gestures: face in hands, fingers in mouth, belly button in extreme close-up. Surreal and enigmatic, her portraits have humor, attitude, and charm, but they’re also unsettling, for what they reveal and what they don’t.
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The public art project will be visible to thousands daily on the Hank Aaron State Trail at the corner of W Canal Street and W Milwaukee Road. It will be a powerful reminder of the 100+ year legacy of an era gone by, the Milwaukee Road and and its dedicated employees.
Designed by local artist Richard Taylor, the five silhouettes were modeled after actual historical photos of railroad workers, a tribute to them and their impact on Milwaukee and the country. The tallest sculpture which is 14 feet tall includes a solar-powered LED crossing sign which will call attention to the piece at night.
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The Tory Folliard Gallery’s two latest exhibitions, of works by Melanie Parke and Mary Jones, provide a warm and colorful respite from Milwaukee’s unseasonably cold March temperatures.
The title of Parke’s exhibit “Dew,” suggests spring and renewal; a welcome concept to many Wisconsinites at the moment. In her artist statement, Parke, who lives and works in Michigan, sees dew as something with “a kind of magical quality, as if coming out of nowhere.”
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With their bold outlines, bright colors, and simple shapes, the paintings of Charles Munch look cartoon-like. But the Wisconsin artist’s messages of environmental conservation and man’s often contentious relationship with nature are quite important.
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A parade of cows from Sister Bay has been making an impact in West Bend.
In what is being described by the staff at the Museum of Wisconsin Art (MOWA) in West Bend as a midcareer breakout show for Sister Bay artist Craig Blietz, his latest body of work encompasses what the artist refers to as the symbols, signs and emblems of where he lives. The exhibit of 23 new works is called Craig Blietz: Herd.
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The Mystery of Nature
The still life paintings of Jeffrey Ripple experiment with light, color and texture.
By John O’Hern
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Known for his paintings of home interiors, artist Mark Forth switches gears with his exhibit “New Paintings,” on display at the Tory Folliard Gallery through January 14. Focused on exterior settings, “New Paintings” features six solitary suburban landscapes in muted color palates, set against foreboding gray skies.
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In this video put together by the Museum of Wisconsin Art, Craig Blietz talks about his Herd exhibition.
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The small yet potent exhibition, A Home for Surrealism: Fantastic Painting in Midcentury Chicago at The Arts Club of Chicago, features the work of eight artists from the 1930s through the 1950s. The title does double duty, referring broadly to the city’s embrace, by collectors and institutions, of European Surrealism, and specifically to a group of artists who shared the same aesthetic sensibilities, often using the home as subject matter —Gertrude Abercrombie, Ivan Albright, Eldzier Cortor, Harold Noecker, Julio de Diego, Dorothea Tanning, Julia Thecla, and John Wilde.
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